A report about Ribera Del Duero
Ribera del Duero wine and food matching. International and regional perspectives.
Analyse and summarise the main concepts of the Ribera del Duero food matching using concrete examples of Ribera del Duero wines produced there & local dishes (from the area described as well as different wine styles, grape varieties from all over the region), critically discuss the main reason why an understanding of matching and exclusion of the region’s wine with a particular dish is essential. Discover classic wine producing techniques as well as modernist, how those affect the flavour of the wine produced and its pairing with food. Illustrate your answers with specific examples. Main pairing rules and cultural rules, as well as Asian, Indian (any kind of ethnic) food and different wine styles pairings are good to be mentioned. (For more information please consult the Module Handbook or reach me out directly)
International Food and Wine Matching
BA (Hons) Culinary Arts – Level 6
January 2023 – Module Code 6HO721
Term 7
Student Name……………………………………………………………
Module Leader: Anastasiia Rubio Burakovskikh
Email:
arubio@cesarritzcolleges.edu
Tel: + 41 24 482 82 82
This module conforms fully to the relevant UG regulatory framework.
Full details of the University of Derby Academic Regulations can be found at:
https://www.derby.ac.uk/about/academic-regulations/
Centre for Contemporary Hospitality and Tourism
4 | Page
module overview – please read carefully before you begin your study.
Module Title
International Food and Wine Matching
Module Leader
Anastasiia Burakovskikh
Credit Value
10
Assessments
Type
LO
%
Hand in
CW 1
1,500 word Essay
1, 2, 3, 4
100%
10
Submit through ‘Turnitin’
CW 1
Summative assessment and marking criteria
Can be found with the assessment instructions and it is important that these criteria are referred to when preparing and writing your assessments.
Formative assessment
Students will be able to discuss their work, share best practice and will need to keep a workbook demonstrating ongoing techniques leant, feedback from tutors and self-assessment. Students will take part in a lunch at the chef’s table or in fine dining during the term. You will also take part in tasting, commenting, criticizing and discussing wines. There will also be a practical mock examination to guide them toward your final formative assessment.
Teaching, learning and assessment overview
Students will learn through lecture, demonstrations, practical experience, meetings and group discussions. Private research will be necessary to ensure that you read widely ensuring that you are at the ‘cutting edge’ of new trends. There is a weekly reading list as your directed study. The practical examination includes a blind tasting of wines with tasting notes and food matching suggestions. There will be an in depth, 24 hour written exercise to evaluate their knowledge and comprehension of applied theories and concepts in relation to international food and wine matching and other management issues.
Student hours of study
Total 100 hrs
Hours breakdown:
Class Contact 44 hrs.
Directed and Independent Study 56 hrs
Return of work, feedback and provisional marks will be viewable at the submission point.
Assessment 1 – General feedback will be given in class and on your written work based on identified criteria within 15 working days after submission.
Extenuating circumstances
https://www.derby.ac.uk/about/academic-regulations/
All marks are provisional until ratified by an Examination Board and the External Examiner.
module description
This module examines advanced wine and food pairing techniques while exploring food flavours and ethnicity in wine matching. Students will be exposed to the theoretical, practical, scientific, financial and cultural aspects of wine making and culinary traditions which enhances the management of the dining experience. They will apply the theory of wine and food pairing using a practical systematic approach. Students will also combine their knowledge and understanding of wine with potential food partners using wine tasting techniques and analyse the importance of sequencing. The income generated by wine, the relevance of stock control and its security will also be investigated as a management issue.
Learning Outcomes
On successful completion of this unit students will be able to:
1. Analyse and evaluate the main theory and concepts in food and wine matching;
2. Demonstrate a critical understanding of the need to use a practical systematic approach to wine and food pairing in a practical and commercial environment;
3. Apply a range of tools and techniques that can be used by the industry to manage and control the ‘wine cellar’;
4. Combine the knowledge of wine tasting techniques to the matching of particular dishes to improve service performance and increase sales
KEY SKILLS TO BE DEVELOPED aND MAPPED
The following key skill competencies may be developed and could be used for any portfolio reflections:
·
Engage effectively in debate in a professional manner; (
communication and presentation )
· Critically review evidence which supports conclusions and recommendations; to include its reliability, validity and significance; (
knowledge and understanding)
· Choose an appropriate response from a collection of actions; (
managing tasks and problems)
Indicative Content
This module may cover the theoretical and practical aspects of some of the following:
· Introduction to Wine Matching;
· Historical and Business approaches to Food pairing;
· Advanced Viticulture & Oenology;
· Performance Factors of Grape Varietals;
· Theoretical, practical, scientific, financial and cultural aspects of wine making and culinary traditions;
· Managing the wine cellar;
· Other management issues, such as procurement and wine programme management. Sourcing, positioning, and fraud management;
· Advanced Wine Tasting techniques;
· Practical systematic approach to wine and food pairing in a commercial environment
· The income generated by wine, the importance of stock control and its security;
· Cooking recommendations for various styles of wines, vintage wines;
· Improving service performance and increasing sales.
·
study pattern – Module Timetable – TERM 7
Week
Indicative Topics to be Covered
Directed Study
Week 1 – Course 1
Introduction to the module: aims, learning outcomes and expectations. Any questions on the module with tutor
· Introductions of the tools – eLearning
· Typeform poll on retained wine knowledge
· Interactive maps exercise to learn more about course participants
· How to write an essay, sharing good practice
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 1 – Course 2
History of wines as we know it
· Ancient pairings, consumption ways, pairings from ancient times
Advanced viticulture & oenology
· Linking production to organoleptic characteristics
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 2 – Course 1
Wine Consumption
· Global trends overviews, issues and challenges
· Wine pairing menu’s case study (Breakout rooms)
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 2 – Course 2
Performance factors of grape varietals
· Key grape varieties and their descriptors
Advanced wine tasting
· SAT by WSET introduction
·
Tasting: Old World vs. New World
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 3 – Course 1
Foundation to wine and food matching
· Tasting
· Mood board creation for given regional pairings (Padlet)
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 3 – Course 2
·
Wine Lunch
Week 4 – Course 1
Advanced sparkling wines of the world & food matching
· Comité Champagne MOOC video
·
Tasting
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 4 – Course 2
TASTING
· Given wine producing region: Grapes & ageing techniques
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 5 – Course 1
Sweet wines of the world and food matching
· Subject introduction
· Distribution of regions for Practical Assessment 3 – Tasting
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 5 – Course 2
Fortified wines of the world and food matching
· Subject introduction
·
Tasting
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 6 – Course 1
Procurement and wine programme management
· Sourcing tools and management
· Positioning Matrix
· Fraud introduction, Auction wines, cooking for old wines
Read / listen the material posted on e-learning. Folder Directed Study Materials)
Week 6 – Course 2
TASTING & Invited speaker (Biodynamic wines)
· Discussion
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 7 – Course 1
Austrian Wine Marketing Board session & tasting
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 7 – Course 2
Wines of Bordeaux vs. Burgundy and food matching
· Knowledge battle
·
Tasting (1 Bgo vs. 1 Bdx)
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 8 – Course 1
Advanced wines of Italy, Spain & Portugal & food matching
· Immersive experience (Pompeii)
· Historical approach
Emergence of traditional pairings
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 8 – Course 2
·
Wine visit
Week 9 – Course 1
Wines of Germany & food matching
Read / listen the material posted on e-learning. Folder Directed Study Materials
Week 9 – Course 2
Advanced Swiss Wines & Food Matching
·
Tasting with a winemaker
Week 10
– Course 1
Individual draft revisions
Week 10 – Course 2
Individual draft revisions
Week 11
ESSAY SUBMISSION
The final written exercise. All questions have to be answered, with references, and submitted through ‘turnitin’
recommended reading
Students will utilise the library resources and review a wide range of literature as part of their directed study and preparation for assessments.
Books:
Broadbent, M. (2006) Michael Broadbent’s Vintage Wine, Mitchell Beazley Wine Guides.
Burnham, Douglas. (2012)
The Aesthetics of Wine, Ole M. Wiley.
Feiring, A. and Lepeltier, P. (2017)
The dirty guide to wine: Following flavor from ground to glass, New York, The countryman press.
Good
e, J. (2021)
The Science of Wine: From Vine to Glass, 3rd edition, Octopus Books.
Grainger, Keith. (2015)
Wine Production and Quality, John Wiley & Sons.
Harrington, R. (2008)
Food & wine pairing: A sensory experience, Hoboken, NJ, Wiley. (available as print & eBook)
Henderson, P. (2012)
About wine, 2nd ed, Clifton Park, NJ, Delmar.
Johnson, H. and Robinson, J. (2013).
The world atlas of wine, 7th ed, London, Mitchell Beazley.
Laloganes, P. (2010)
The essentials of wine with food pairing techniques. Chicago, Prentice Hall
Liem, P. (2017) Champagne: The essential guide to the wines, producers, and terroirs of the iconic region, New York, Penguin Random House.
Madeline Puckette and Justin Hammack, (2015)
The Essential Guide to Wine, Wine Folly.
Parr, R. and Mackay, J. (2018) The sommelier’s atlas of taste: A field guide to the great wines of Europe, 1st ed, California, Ten Speed Press.
Parr, R. and Mackay, J. (2010) Secrets of the sommeliers: How to think and drink like the world’s top wine professionals, 1st ed, California, Ten Speed Press.
Robinson, J. (2006)
The Oxford companion to wine, 3rd ed, Oxford, Oxford University Press.
Stevenson, T. (2020)
The New Sotheby’s Wine Encyclopedia, 6th ed, Easton Press
Wines and Spirits Education Trust. (2006)
Exploring the world of wines and spirits, London, Authors.
Journals:
· Drinks Business
· Decanter magazine
· Wine Spectator magazine
· Wine Enthusiast magazine
· Harpers Wine & Spirit Trade Review
· Hospitality and Tourism Complete
Websites:
·
https://vinepair.com
·
https://punchdrink.com
·
https://www.eater.com
·
·
www.decanter.com
·
www.winespectator.com
·
www.oiv.int
·
www.winefolly.com
·
www.wineenthusiast.com
·
www.jancisrobinson.com
·
www.champagne.com
Apps:
· Wine Grapes
· Vivino
· Viticultural terms
· Pocket Wine
· WineStein
· Winesearcher
· Fromage
· VinsduValais
· VinsVaudois
Video resources:
Forgotten Man Films (2012)
SOMM. [Video Online], Available: Netflix, Amazon Prime [5 April 2019].
Forgotten Man Films (2015)
SOMM: Into the bottle. [Video Online], Available: Netflix, Amazon Prime [5 April 2019].
Dogwoof (2016)
Sour grapes. [Video Online], Available: Netflix [5 April 2019].
Samuel Goldwyn Pictures (2014)
A year in Champagne. [Video Online], Available: Netflix [5 April 2019].
20th Century Fox (2008)
Bottle Shock. [Video Online], Available: YouTube [5 April 2019].
VR / 360° videos (can be viewed both with and without glasses)
:
Deutsches Weininstitut (DWI), German Wine Institute (2018)
Winemaking VR-Experience (English Version). [Video Online], Available:
[5 April 2019].
Comité Interprofessionnel du vin de Champagne (2015)
Take a 360° look at Champagne! (English Version). [Video Online], Available:
[5 April 2019].
E-Learning Platform is a primarily resource for the course related information.
general Assessment guidelines
General instructions:
1. The following details are all key elements of your assigned pieces of work.
2. Plan and organize your work carefully, bearing in mind submission dates.
3. When completing your work, keep checking it carefully against the assessment criteria attached.
4. Your lecturer will advise you of the times during which they will be available for consultation. So as to manage this resource and time effectively, students are advised to respect these sessions. Please note that this is a student-based research assignment, and as such the tutor may not be able to answer certain questions if it is felt that this would restrict the potential grade.
5. Plagiarism and other offences will be reviewed using the University of Derby Academic Misconduct Policy
https://www.derby.ac.uk/about/academic-regulations/
International Food and Wine Matching – Essay – 100%
Based on the achievement of learning outcome 1, 2, 3, 4
Module title |
International Wine and Food Matching |
Assessment 1 |
Essay – 1500 words |
Weighting |
|
Assessment Date |
Week 10 |
Learning Outcomes assessed |
1. Analyse and evaluate the main theory and concepts in food and wine matching;
3 Apply a range of tools and techniques that can be used by the industry to manage and control the ‘wine cellar’; 4 Combine the knowledge of wine tasting techniques to the matching of particular dishes to improve service performance and increase sales |
Notes to Candidate
1. |
2. |
3. |
4. |
5. |
Section |
Guidance |
Marks |
Answer the question in 1500 words |
||
Total |
||
Each question will adopt a similar marking scheme – see overleaf: · Apply a clear understanding of the topic in question and demonstrate an ability to build an argument in a logical and consistent manner. · Answers show evidence of an ability to pose arguments and reflects theories and concepts related to the topic. · Has an acceptable structure and where appropriate has an introduction and conclusions. The flow shows evidence of planning. · The answer demonstrates an ability to analyse, synthesise, and evaluate the key concepts, research and theories that relate to the topic and question. · The presentation, spelling and grammar are acceptable and Harvard referenced where necessary. The answer has a tone and style acceptable to the final year of a degree programme. · |
||
General group feedback will be posted in week 0. |
Assessment ONE – international food and wine matching – Essay– weighted 100%
Criteria |
100-70% (1st) Excellent |
69-60% (2:1) Very Good |
59-50% (2:2) Good |
49-40% (3rd) Satisfactory |
39-35% Unsatisfactory |
Below 35 Poor/Very Poor |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Research and originality. 20% |
An outstanding piece of work that is produced to a very high standard. It is exceptionally well researched and is commendable in its originality. |
A high quality piece of work that is of a very good standard and is well researched. The work displays originality. |
A good standard piece of work with some originality displayed. The work is quite well researched but there are some deficiencies. |
A sound standard of work that is lacking in its research content. Very little originality displayed |
Overall the work is marginally unsatisfactory and not well researched. No originality has been displayed in the work. |
Below the pass standard. Poorly researched and the work lacks any originality. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Marks |
20-14 |
13-12 |
11-10 |
9-8 |
7 |
6-0 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Critical analysis and evaluation. 20% |
A high level of critical analysis and evaluation that displays inclusive original thinking. |
A very good level of critical analysis and evaluation that displays original thought. |
A fairly good level of critical analysis and evaluation with some evidence of original thinking. |
A fair level of critical analysis and evaluation but with little evidence of original thinking |
Inadequate critical analysis and evaluation with little evidence of original thought and ideas |
Poor critical analysis and evaluation with virtually no evidence of originality or application |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Structure of the argument and coherence of the work. 20% |
High quality piece of work demonstrating exceptional clarity of ideas and presentation. The work has excellent coherence and is logical in any arguments. |
A very good standard of presentation that is commendable in its clarity of ideas. Very good sense of coherence and logic demonstrated in any arguments. |
A good standard of presentation with ideas that are clear and generally coherent. There is some evidence of coherence and logic demonstrated. |
A sound standard of presentation with ideas that are fairly clear and demonstrate some coherence. There is some evidence of misunderstanding. |
Standard of presentation is not acceptable and any ideas are unclear and incoherent. |
Standard of presentation unacceptable and not up to graduate standard with any ideas confused and incoherent; |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Understanding of work undertaken and results achieved. 20% |
An exceptional standard of work illustrating thorough and in-depth understanding of the work undertaken. |
A high standard of work illustrating a good understanding of the work undertaken. |
Overall a good standard piece of work but some lack of understanding of the work undertaken. |
Some weakness in the standard of work. There are some significant misunderstandings and errors. |
Some significant errors and misunderstandings in the work. Marginal fail. |
Some serious misunderstandings and errors. A clear fail short of pass standards. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Communication, format requested, sources used and referencing. 20% |
Communicated with exceptional authority and tone. All sources are referenced according to Harvard convention. The higher the mark the less trivial the identification of minor errors in the work. |
Communicated with good authority and tone. Sources referenced according to Harvard convention. Very minor errors only. |
Communicated in a sound manner with the right tone. Limited sources identified but referenced according to Harvard convention. Errors identified. |
Communicated in an acceptable manner with some weakness in style and tone. Very limited sources identified but referenced according to Harvard convention. A number of errors |
Poorly communicated with weakness in style and tone. Poor range of sources included. Any references were according to Harvard convention. Many errors identified |
Communication is incorrect in all aspects. No reading or research undertaken from any sources. Full of errors and just wrong. |
Feedback sheet – Essay – weighted 100%
BA (Hons) Culinary Arts |
Student Name/No |
Based on the assessment criteria ticked above convert this to
an actual mark using the classification guide.
Criteria Are not equally weighted |
1st 100-70 |
2.1 69-60 |
2.2 59-50 |
3 49-40 |
Ref 39-35 |
Fail 34-20 |
Actual mark |
Research and originality. 20% |
|||||||
Critical analysis and evaluation. 20% |
|||||||
Structure of the argument and coherence of the work. 20% |
|||||||
Understanding of work undertaken and results achieved. 20% |
|||||||
Communication, format requested, sources used and referencing. 20% |
|||||||
Total 100 marks |
What you did well? |
|
What could you have done better? |
|
Improvements to be made. |
|
Signed: |
Date: |
(Essay)
Answer to the question (100 marks)
XXX (
given region) wine and food matching. International and regional perspectives.
Analyse and summarise the main concepts of the region’s (insert your region) food matching using concrete examples of (insert your region) wines produced there & local dishes (from the area described as well as different wine styles, grape varieties from all over the region), critically discuss the main reason why an understanding of matching and exclusion of the region’s wine with a particular dish is essential. Discover classic wine producing techniques as well as modernist, how those affect the flavour of the wine produced and its pairing with food. Illustrate your answers with specific examples. Main pairing rules and cultural rules, as well as Asian, Indian (any kind of ethnic) food and different wine styles pairings are good to be mentioned.
(max. 1500 words)
Consult on the structure of the Essay & detailed induction – presentation on eLearning:
Intro 6HO721: Essay Good Practice & Pairing Approaches
Explanation of the region under investigation Its sub-region and styles/blends of wines produced over there, here student can mention history of winemaking and various blends produced in the region, as well as statement of a famous chefs related to the region, wine experts working with and focusing on the region’s wines, any relevant statements regarding the current state of the wines in the region and its place in international gastronomic arena, pairings in restaurants around the globe.
Introduction of the native food traditional for the area and localities around it: styles, traditional dishes, history, chefs, reworked traditional regional foods, flavours, ingredients, components, demonstration of understanding of the concept “what grows together – goes together”.
Wine production and main production sub regions which reflect various grape varieties blends, flavour characteristics of the wine styles / types.
Main pairing rules and cultural rules as well as Asian food, ethnic food, contemporary food and different wine styles pairings are good to be mentioned.
Classification & requirements of the selected region wines, focus on various systems/vintage variations plus different wine styles. Concrete examples of regional food and various international foods pairings.
image2
image1
Introduction to
the Food &
Wine Matching
Why study wine matching, greetings, M.H.
6HO721 WITH A . BURAKOVSKIKH
WHAT WE’LL DISCUSS
Greetings
Why study Wine Matching?
Your favourite wine
Module Handbook
Asessments & Class
Requirements
Sourcing possibilities or how
can I get wines for tasting (If I
am not on campus)?
Let’s make the course together
Essay: recent good practice
examples, structure
1.
2.
3.
4.
5.
6.
7.
8.TODAY’S
TOPICS
“Modern terminology and considerations,
in the making, classification, marketing
and enjoyment of wines, are maybe not so
new as some of us today think they are.
Original translations from Greek sources
shows that 2,000 years or so ago, types of
comments and opinions about given wines
were much the same as they are today”.
(Bode, 1992)
VARIOUS
APPROACHES
TO PAIRING
FLAVOUR AND TEXTURE
APPROACH
(Robinson, 2008)
SENSORIAL APPROACH
(Harrington, 2008)
INTELLECTUAL
APPROACH
A Mathematical View of Matching
Food and Wine (De Marchi, 2012)
MARKETING APPROACH
“research proven that professional
suggestion on wine (by the glass)
pairings do increase sales”
(Terrier, 2016)
https://www.researchgate.net/profile/Stefano_De_Marchi/publication/266278780_A_Mathematical_View_of_Matching_Food_and_Wine/links/55f15d3808aef559dc470bd1/A-Mathematical-View-of-Matching-Food-and-Wine
VARIOUS APPROACHES
TO PAIRING
FLAVOUR AND TEXTURE
APPROACH
SENSORIAL APPROACH
INTELLECTUAL APPROACH
HISTORICAL APPROACH
“WHAT GROWS TOGETHER GOES
TOGETHER”
MARKETING APPROACH
SYNTHESIZED
APPROACH
6H0721 INTERNATIONAL FOOD AND WINE MATCHING
MODULE HANDBOOK
GRADED ASSESSMENTS AND THEIR TIMELINE:
1500 word
Essay
60%
Final Exam Tasting
40%
WEEK 2 WEEK 7 WEEK 10WEEK 1 WEEK 11
WINERY VISIT
EXAM
TASTING
ESSAY
SUBMISSION
ENGAGEMENT
ESSAY:
RECENT
GOOD
PRACTICE
EXAMPLES
,
STRUCTURE
XXX (INSERT YOUR REGION) WINE AND FOOD MATCHING. INTERNATIONAL AND REGIONAL
PERSPECTIVES.
(Essay)
Analyse and summarise the main concepts of the region’s (insert your region)
food matching using concrete examples of (insert your region) wines produced
there & local dishes (from the area described as well as different wine styles,
grape varieties from all over the region), critically discuss the main reason why
an understanding of matching and exclusion of the region’s wine with a
particular dish is essential. Discover classic wine producing techniques as well
as modernist, how those affect the flavour of the wine produced and its pairing
with food. Illustrate your answers with specific examples. Main pairing rules and
cultural rules, as well as Asian, Indian (any kind of ethnic) food and different
wine styles pairings are good to be mentioned.
REFLECTED IN TABLE OF
CONTENT
STRUCTURE
Introduction
Main body
concise, to underline the work
undertaken
Emergence of the wine styles
Styles of the wines
Subregions
Grape Varieties
Regional vs. International pairings
(focus)
Conclusion (concise)
References (Harvard style)
Appendices (maps, visuals etc.)
MAIN POINTS
TO TALK:
EXPLANATION OF THE REGION
UNDER INVESTIGATION
Its sub-region and styles/blends of wines produced
over there, here student can mention history of
winemaking and various blends produced in the
region, as well as statement of a famous chefs
related to the region, wine experts working with and
focusing on the region’s wines, any relevant
statements regarding the current state of the wines
in the region and its place in international
gastronomic arena, pairings in restaurants around
the globe.
INTRODUCTION OF THE NATIVE
FOOD
traditional for the area and localities around it:
styles, traditional dishes, history, chefs, reworked
traditional regional foods, flavours, ingredients,
components, demonstration of understanding of
the concept “what grows together – goes together”.
MAIN POINTS
TO TALK:
WINE PRODUCTION AND MAIN
PRODUCTION SUB REGIONS
which reflect various grape varieties blends, flavour
characteristics of the wine styles / types.
MAIN PAIRING RULES AND
CULTURAL RULES
as well as Asian food, ethnic food, contemporary
food and different wine styles pairings are good to
be mentioned.
CLASSIFICATION &
REQUIREMENTS
of the selected region wines, focus on various
systems/vintage variations plus different wine styles.
Concrete examples of regional food and various
international foods pairings.
EXAMPLES
EXAMPLES
PRESERVE
AUTHENTICITY
VISUAL SUPPORT
GRAPE VARIETIES
SHOULD BE SPECIFIED
CHECK THE FACTS
& SPELLING
DISPLAYS CLEAR
UNDERSTANDING OF
MÉDOC AS REGION UNDER
RESEARCH
LINK PRODUCTION
TO THE TASTING NOTES
(ORGANOLEPTIC
CHARACTERISTICS)
ESSAY IS A PIECE
OF WRITING OUTLINING
THE WRITER’S
PERSPECTIVE ON
A SUBJECT
GET YOUR FACTS STRAIGHT
“VINES PER HECTARE”
WRONG WINE
GET YOUR FACTS STRAIGHT
GOOD INTRODUCTION OF THE
GASTRONOMIC TRADITION
THANK YOU